This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD.
Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. In doing so, we hope to make clear why cameras sometimes offer multiple Log profiles, to help you decide which one to use. In this article, we're taking a closer look at C-Log3 and how it differs from the existing C-Log profile. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. With its latest firmware, the Canon EOS R5 gains the Canon Log 3 profile for video. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Remember that you will get the most out of your Footage if you shoot in 10-bit / 12-bit in 4K or 8K resolution.To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. These LUTs were created especially for the Canon R5, Canon R6 but will also work with other footage from cameras like Canon EOS R, Canon EOS RP, Canon 5D Mark IV. No matter if you are using C-Log (Canon Log), Cinestyle or a custom profile like James Millers Neutral – The 3D LUTs in this Pack work perfectly with several Picture Profiles and settings. These LUTs will help you to get the most out of the 12-bit / 10-bit Raw Video (but also work with compressed codecs) and convert your footage into cinematic and eye-pleasing visuals. Solution Applying a LUT to Video Outputs While recording using special gamma curves, you can apply a LUT to video output from the VIDEO terminal (optional viewfinder), SDI OUT terminals, MON.
#CANON R5 LOG LUT SOFTWARE#
Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs.
8 Finishing LUTs for rec.709 (.cube files).
#CANON R5 LOG LUT DOWNLOAD#
Canon R5 & R6 Cinematic LUTs (LOG & Rec.709) Free Download
0 kommentar(er)
